STORY: Thistle Field and Design Simplicity
“Sometimes what makes a design brilliant is its simplicity.
But in order to achieve this, it may have taken the designer
quite a lot of work and thinking and trials.”
(helenemagnusson on Ravelry)
Thistle Field, has been released.
This design taught me a couple of things. First of all, it reminded me how important it was to keep track of my design trials. I made two full-sized samples of this shawl: one in summer (and frogged it) and then another one in autumn, simply because I forgot I had already made the first one. :)
The first shawl sample had a crescent shape and copied the stitch pattern of Lavender Path shawl, although this time the stitch pattern stripes were arranged horizontally:
I was very happy with it ... until I blocked it and saw the finished result. I only failed to consider one thing: the laws of physics! :) The airy lace of Solomon Knots was not able to hold its shape because of the weight of horizontally placed pattern repeats. Each new horizontal stripe added more weight and distorted the look of the upper stripe. "Ha-ha", I thought at the time and, since things like this happen, I frogged the shawl and completely forgot about it until the following autumn.
A few months later, between working on various projects, I suddenly came up with a great idea! What about designing a crescent-shaped shawl, which would copy the Lavender Path path stitch pattern, but this time with horizontally arranged stitch pattern stripes. Yay!
When I've finally stopped laughing at myself (and frogged my second sample beaten by the laws of physics), I decided not to give up and tried to modify the idea. My next sample looked like this:
The shape was still crescent and the stitch pattern was still horizontal, but this time I changed the location of decreases.
The construction of the first sample was standard: straight neckline with increases placed along the bottom of the shawl. In the second sample I decided to keep the first half of the shawl unchanged, but to move the decreases to the neckline in the second half, creating a lovely swirl of the stitch pattern stripes. There was only one problem: I couldn't keep the second half as neat as the first half. It looked ugly: straight, then down, like a gull wing.
I did a lot of trials, changing the stitch pattern and ripping back the second half. None of my attempts worked while the first half of the shawl remained beautiful, neat, and easy to make.
And then I remembered one of the cleverest design mottoes (IMHO, of course:): "keep it simple". If the design has "details", which do not work and can be removed, remove them! In this case this "detail" was the whole of the second half of the shawl. So I got rid of it!
The final shawl construction:
Start from a corner and make increases along the bottom of the shawl. When the center of the shawl is reached...
...stop working and add an edging:
Voila! I present to you an asymmetrical triangular kerchief with an edging along one side!
|scoobeedoo's Thistle Field|